Adobe-full-color Adobe-white Adobe-black logo-white Adobe-full Adobe Behance arrow-down arrow-right LineCreated with Sketch. close-tablet-03 close-tablet-05 comment dropdown-close dropdown-open facebook instagram linkedin rss search share twitter

Big Ideas

Why Great Ideas Get Rejected

Everybody says they want more creativity, but do they really? An inherent bias against uncertainty may be at the core of our fear of new ideas.


Have you ever debuted an exciting new idea to the world only to receive a lukewarm or even highly critical response? Well, get used to it. Mounting evidence shows that we all possess an inherent bias against creativity. The good news is there’s something we can do about it.

On May 29, 1913 in Paris, Igor Stravinsky debuted perhaps his greatest work, The Rite of Spring ballet. Up until that point, most ballets were graceful and elegant, full of traditional music. Rite was different. Stravinsky had written intentionally inharmonic notes and arranged around pagan themes.

Within minutes of the show’s start, the audience began to boo the performers. Supporters rallied against the discontented audience members, and the show quickly degenerated into an all-out riot. Before the first intermission arrived, police had to intervene to calm the raging crowd. During the second half of the performance, riots broke out again. Surprised by the reaction, Stravinsky fled the theater before the show even ended.

Of course, history would vindicate Stravinsky. The Rite of Spring is now regarded as a milestone in the history of ballet and musical composition. Yet, even this legendary idea was initially rejected, which likely came as quite a shock to Stravinsky after he spent years crafting and refining the piece.

Similar rejections can leave us wondering what we did wrong or why others just couldn’t appreciate our creative idea. Fortunately, recent research in human psychology is finally shedding some light on how our brains accept (or reject) new ideas.

Creativity Requires an Element of Novelty.

For a work to be truly creative, it has to depart from the status quo at some point. That departure makes many people uncomfortable. Despite our oft-stated desire for more creativity, we also hold a stronger desire for certainty and structure. When that certainty is challenged, a bias against creativity develops.

This bias was first discovered in two studies by researchers from Cornell, Penn and the University of North Carolina. The research team, led by Penn’s Jennifer Mueller, studied our perceptions about creative ideas when faced with uncertainty. In the first study, the team divided participants into two groups and created a small level of uncertainty in one group, telling them they would be eligible for additional payment based on a random lottery.

For a work to be truly creative, it has to depart from the status quo at some point. That departure makes many people uncomfortable.

The participants were then given a series of tests. The first test presented pairs of words on a computer to the participants and asked them to select their preferred pairing. The pairings shown always came from two groups: creative versus practical (novel, original, functional, useful) or good versus bad (sunshine, peace, ugly, vomit). In each round, participants would chose their preference between pairs like “novel vomit” or “useful peace.” The test, known as an “Implicit Associations Test” uses the speed of participants’ reaction time to measure the strength of their mental associations.

The second test was more overt; it measured participants’ explicit perceptions of creativity by asking them to rate their attitudes toward creativity and practicality on a seven-point scale (from strongly negative to strongly positive). When the researchers calculated the results from both groups, they found that the baseline group (the one given no chance at extra compensation) held both implicit and explicit associations between creativity and practicality. The uncertainty group, however, was different. This group held an explicitly positive association between the two, but implicitly their minds separated creative from practical. In other words, they had an implicit bias against creativity relative to usefulness.

Novelty Provokes Uncertainty.

If this bias is present in most people during periods of uncertainty, then it could well explain why society has a history of rejecting its greatest innovations. To test this thesis, the research team returned to the lab and this time studied a new group of participants’ ability to judge a creative product idea. The participants were again divided into two groups – this time into groups with a high tolerance or a low tolerance for uncertainty.

The high tolerance group was primed by being asked to write an essay supporting the idea that multiple solutions existed for every problem. The low tolerance group was primed by writing an essay arguing the opposite. Both groups were given the same implicit and explicit associations tests and then asked to rate a creative idea for a new product, a running shoe that automatically adjusted its fabric thickness to cool the foot in hot conditions. As anticipated by the first study, the low uncertainty tolerance group showed the same implicit bias against creativity and was more likely to rate the running shoe idea poorly.

Mueller’s results have powerful implications as we think about how to “sell” our own ideas. We now know that regardless of how open-minded people are, or claim to be, they experience a subtle bias against creative ideas when faced with uncertain situations. This isn’t merely a preference for the familiar or a desire to maintain the status quo. Most of us sincerely claim that we want the positive changes creativity provides. What the bias affects is our ability to recognize the creative ideas that we claim we desire. Thus, when you’re pitching your creative idea, it may not be the idea itself that is being rejected. The more likely culprit could be the uncertainty your audience is feeling, which in turn is overriding their ability to recognize the idea as truly novel and useful.

Regardless of how open-minded people are, they experience a subtle bias against creative ideas when faced with uncertain situations.

If the implicit bias against creativity is triggered by uncertainty, then crafting your pitch to maximize certainty should improve the odds of the idea being accepted. You can do this in a variety of ways. Reaffirming what the client or your manager knows is true about their project should prime them to be more accepting of novel ideas. Connecting the idea to more familiar ideas, such as previous successful projects or similar works, will also increase the odds that your idea will be seen as practical and desirable. Lastly, try leading clients toward your idea with a series of statements they agree with and then pitching your idea as if it’s theirs. Thus, counteracting the bias against creativity with an even more powerful bias – the bias for our own ideas!


Have Your Ideas Been Rejected?

Have you had great ideas shot down?

Do you think that minimizing uncertainty could help your idea succeed next time?

Comments (59)
  • Susan Smoter

    How true! Some people are natural idea generators, I’m one of them. In one respect, I have been fortunate to see my ideas take root, but usually years after I first began them and by others based on the work I’ve done – but only after I dealt with the suspicion, jealousy and lack of will power to rock the boat. I’ve started writing about my own experience – one of my ideas truly was something to change the world and ramifications of not getting it done are now public news, unfortunely with dire impacts. A great article. I believe we need to find and support innovators, allowing them to sell their ideasand prove them (via business case and pilots), and then if passing the bar, others would help shelter and grow to full potential. We’d be much better off than letting the creators struggle on their own (where it’s a matter of luck finding funding and support!)

  • Sean A. Metcalf

    This is really, really great. Challenging the status quo is the only way we continue to progress forward and helping clients see past the risk & uncertainty of this challenge is the tough part.

    Connecting the new idea with previous successful projects and pitching the idea in a way that presents ownership to the client’s/audience’s involvement in the creative process is awesome advice.

    Thanks for this!

  • Sean A. Metcalf

    Awesome insight Diane. I remember hearing a talk by Michael Bierut and he really emphasized that “the solution lies in the problem.” Taking careful notes while being briefed and clearly presenting how the problem links to the solution not only sells new ideas through, but also crafts brilliant solutions.

  • davidburkus

    Sean, so glad to hear you enjoyed it. Thanks!

  • davidburkus

    Susan, I couldn’t agree more. Thanks so much for sharing.

  • Paul N

    I produce video and animation work for both commercial and corporate clients. I completely agree that thorough note taking will lead to a successful pitch. I’ll never forget my first meeting with an Exec. who didn’t even notice that I was taking notes under the table:-)

  • davidburkus

    Great strategy. How long ago was it? The Exec might have been on his Blackberry under the table. : )

  • Shark Soul

    It’s about ACTING on ideas not having ideas.

  • Jenny DevilDoll

    ” Minimize uncertainty”? After reading this I’m hoping to one day do something that gets a reaction like Stravinsky did!!!

  • davidburkus

    True, but sometimes you need to get approval first before you can ACT. Other times you may ACT on an idea and have it totally flop. In either case, I think this research can help.

  • davidburkus

    Jenny: Here’s to your work starting a riot. Thanks!

  • Web Designer Manchester

    Great article, people seem to prefer to critisise rather than praise peoples work. I tend to take on board what my clients want and show them various option introducing some creativity combined with the clients own ideas. That way they can then choose but have seen how the website could look.
    http://www.warrenphillipswebde

  • ELHAM ELYASI

    My project at university for MA was creativity , It was related to that and I enjoyed alot…….tnkS.

  • Jonas

    Fuck you all.

  • Jonas

    You guys are awesome. I love you all.

  • Nelson

    So many intelligent comments here!!! I’m so happy!!!

  • Kate Matsudaira

    Thanks for this insightful post on creativity and bias. I love this quote: “Despite our oft-stated desire for more creativity, we also hold a stronger desire for certainty and structure. When that certainty is challenged, a bias against creativity develops.”

    Thanks!
    Kate

  • davidburkus

    Thanks so much Kate. So glad to hear you enjoyed it.

  • davidburkus

    It’s certainly an interest line of research. Thanks.

  • davidburkus

    The preference for criticism is definitely a primary driver. I think you’ve got a great strategy.

  • Vikalp Dubey

    A great article. It reminded me of the movie Inception. and in one scene how they discuss about planting an idea in to the mind of the person as if it is originating from his own. and how it has to be broken down to its simplest and most humane form.

    I also know now, as a painter, why my works are not economically successful. I usually get positive response to my works but at the time of buying, clients shy away. they dont see beauty or worth in conventional terms.

    Thanks to you, I now know how can I approach them.

  • Jim Naleid

    If it weren’t for the power of the reality you’ve addressed in whole, you would have lost me on the second to last sentence that almost feels like the old “
    Get ’em to say ‘Yes’ enough and they won’t say ‘No.'”

    Setting that aside; isn’t it true that with so-called ‘right-brain’ creativity we conjure up thoughts of colors, music, shapes and well-written words but with what we deem here as kind-of-a ‘secular’ creativity or out-of-the-box ingenuity we, more often than not, are met with or meet such with a…thud? The good news is, as you’ve suggested, that too can be overcome!

  • davidburkus

    Well put Jim. I especially like the image of our ingenuity being met with a thud. Thanks for the comment.

  • davidburkus

    An all too common dilemma for painters. Fortunately though, you are in good company.

  • Swifty Frisko

    This is just a formalisation of, “whine, whine, it’s not that my work is shit, it’s that my clients are too stupid to appreciate how ground breaking and earth shakingly original I am”.

    Considering how rare really creative ideas are, we can reasonably assume that 99.9% of ideas are rejected because they’re a sack of soggy dog’s dicks. The 0.1% get dorwned in the choking tide of horrible, unoriginal, plagiarised crap shat out by twenty year olds with a macbook and a bunch of photoshop tutorials.

1 2
blog comments powered by Disqus

More articles on Big Ideas

Julia Bainbridge in a red coat standing alone in a living room
Image of a man sitting atop a pencil, using the point as a telescope
Che-Wei Wang & Taylor Levy of Brooklyn’s CW & T studios
Two side-by-side issues of Broccoli magazine
Black and white image of a man with a beard wearing a jacket
A blonde woman in a white shirt against a pink background